Compilations
Releases
- White Light LP (Dead Man's Curve)
Compilations
Releases
- Grip Life CD (None of the Above 1995)
Mostly solo project of Chris Moriarty from
Controlled Bleeding
.See Also
Controlled Bleeding,
Skin Chamber,
Chris Moriarty
Releases
Compilations
See Also
Hate Dept.
Other Links
Compilations
Compilations
See Also
Paul Clark
Compilations
Releases
- Fountainhead CDS
- The All Powerful Fluid CD
- Guess What? CD
Compilations
Releases
- Forever LP/CD (Mute 1992)
- There Can Only Be One 12"/CDS (Mute 1992)
See Also
Crime & The City Solution
Compilations
Releases
Releases
Compilations
Releases
- Wow2 CD (Avant 1993)
- Super Roots CD (Warner Bros. 1994)
See Also
Praxis
Other Links
Releases
- No Hope No Fear EP (Play It Again Sam 1987)
- Naked Uniformed Dead EP (Play It Again Sam 1988)
- Resistance LP/CD (Play It Again Sam 1989)
- Surveillance and Punishment EP (Play It Again Sam 1989)
- She is Not Alone 12" (Play It Again Sam 1989)
- Message CD (Play It Again Sam 1990)
- Dreamers In Colour CD (Play It Again Sam 1992)
Compilations
See Also
Data Direct
Compilations
from Sweden.
Releases
Compilations
Releases
- Laughing Afternoon LP (Recloose Organization 1983)
- Hope LP (Recloose Organization 1984)
- The Spike LP (Dossier 1985)
- Preparing For Power LP (Recloose Organization 1986)
- Bourbonese Qualk LP (New International Recordings 1987)
- Your Government is My Soul LP/CD (F�nfundvierzig 1990)
- Bo'Qu LP (New International Recordings 1990)
- Kneejerk Reaction EP (Praxis 1992)
- Qual EP (Praxis 1992)
- UnPop CD (Total F.I. 1993)
- Feeding the Hungry Ghost CD (F�nfundvierzig 1994)
- Autonomia CD (Praxis 1994)
Compilations
Bourbonese Qualk's credentials as early and important contributors to the
Industrial scene is a little known fact but is born out clearly by their
presence on the seminal Elephant Table compilation from 1980 (?). Up until
1987, they were a collaborative effort by more or less two individuals:
Simon Crab (Crabtree on the first couple LPs) and Steven Tanza. They
went their separate ways and as has been mentioned in a previous post,
Tanza's project since then has been called
The State
.
Crab maintained the Bourbonese Qualk name and has proven to be the more
prolific and talented of the two (though Tanza's efforts have been quite
good too). BQ became a virtual band with the release of My Government
Is My Soul. Crab, who had for years played virtually all instruments/electronics
beyond percussion, left guitar work to Miles Miles and focused more and
more on a very large electronic sound, still recognizably funk-beat driven
as much of their earlier music.
If you want to consider a possible answer to your question of why they
aren't more popular, it's likely that this is because their/Crab's attitude
has been fairly uniformly bereft of moroseness and depravity. BQ has always
been very concerned with the politics of organized society and less concerned
with unknown quantities of individuality.
Their music reflects this. It's linear and driving. I hold them in the
highest regard of any band I've ever known. The quality of their output
over the years has been nothing short of phenomenal.
Having said that, I can't say I'm particularly enamored with Crab's techno
aspirations of late (Autonomia).
[[email protected] (Mark Williams)]
See Also
The State
Other Links
Releases
- Muscle In EP (Doublevision 1984)
Releases
- Gas Stop 12" (Arista 1990)
- Vertigo (Arista 1990)
Other Links
Releases
- Live Without A Body LP (RRR)
- Winter LP (RRR 1987)
Compilations
Releases
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