On Mon, 9 Oct 1995, Steve Hill wrote: > > I think if you read John's point, your tape, while probably an excellent > > collection, is not an "album". Think about taking chapters from a the > > great novels in history, or even by the same author. The result is not a > > new Novel, but a compilation. > > I'm sorry I left out the smiley. I was being facetious, but I thought it was > obvious. > -shill Don't you mean, "I'm sorry I left out the smiley. :-)" ?? Sheesh. Some people. einexile, king of foul
my brother says that the lable name stands for :- (4) (A)rseholes in (D)istress my brother's an arsehole too...but judging from what IWR is pushing out these days (years) my brother could be onto something!!! the piss and vinegar department hems
hi everyone! i forgot to post the deadline for the little auction i'm having so i'll end it on october 17th, with bairmiami's auction end date. so far... 1.cocteau twins: bluebeard 1-track promo 2.cocteau twins: summerhead 1-track promo $5 3.cocteau twins: twinlights advance cassette 4.alvin lives (in leeds) anti poll tax compilation (w/ lush's "chirpy chirpy cheep cheep", robyn hitchcock's "kung fu fighting") $25 thanks again to all of those who have bidded and are bidding...sorry to those who hate auctions and have to see this. laters! p.s. any help on finding the "12 inch '87 anthology" and the "13 year itch" cds would be greatly appreciated...trade perhaps??!!
"One pound 99", I thought, "I haven't seen a 4AD release that cheap for ages". The Amps single has only got three songs on it, and weighs in at a shade under six minutes in total. I wouldn't mind if it contained three short bursts of superb punk rock heaven, but what it actually contains is three short bursts of amateurish punk rock hell. If I didn't know Kim Deal's history I'd say that Ivo probably signed the Amps in a fit of madness after seeing them play in a bar somewhere - in fact I think they would get bottled off in most bars, on this evidence. Awful, awful stuff. "Tipp City", "Like a Briar" (a cover), and the demo which was on the FTWW sampler, if anyone cares. Did she really write "Gigantic"? -- Andrew Norman, Leicester, England // nja@le.ac.uk // 10/10/95 On my walkman this morning : Can - Peel sessions Upon the straits; - on the French coast the light
On Fri, 6 Oct 1995 Bairmiami@AOL.COM wrote: > > This really upsets me. So now 4ad is infringing on artistic integrity?! > They're turning more and more into a Soulless Megalith Record Company every > year. Gee, didn't Lisa Germano leave Capitol because of shit like this? > No, Lisa Germano left Capitol because her album got ZERO publicity and they treated her like crap.
I listened to both these again yesterday and I still maintain they suck. I agree Mr. Norman about how bad The Amps are. If IWR is signing bands like these surely he could sign my band. It seems if Ms. Deal picked her three favourite chords, had a few beers with some friends, had a jam, sent a tape to Ivo and got a record contract. There's just no content in the songs. I bet it took V23 longer to do the artwork than it did to record. As for Scheer, Skunk Anansie seem to be doing the same sort of thing - heavy rock with a female singer - but better. Except Scheer have got Harriet 'Sunday' on vocals. The Guernica label offshoot would be a more appropriate means to release these. Give them a one record deal and wait and see if there's any interest in them. So Red House Painters have now left 4ad. So how long before the other main-stays of the label will go - we've lost TWP, Frank Black, Cocteaus a few years back. Brendan Perry's solo stuff was rejected, tarnation have split already. Who's next, Belly? Lush? PS If I've got a photograph ALBUM with a collection of photos taken over many years, of many different places, subjects then this isn't really an album its merely a collection of photographs according to you. 'H'y Stockholm Environment Institute at York
A while back somebody posted Lisa's explanation for the Mirror Pool (why, who etc.). On reading this she mentioned that her and Mr Perry had released eight albums together. A quick glance through the releases means that she counts "A passage in Time" as an album (which only had two new songs). I am going to send her a copy of the Pink Opague and see it she calls it an album or not. And Nick Cave will receive "Hits" and be asked for his opinion. Then this issue will be solved. And there will be world peace. And pigs will fly (only in the police helicopter). etc. etc. blahblahblahmumblemumble Chris
His e-mail address. Jef Lear's, that is. I cleaned out my folders and there's not a trace of it anywhere and I wanted to fire off a message... Thanks. Sorry for bugging the list with this. But you know you love it. e
On Tue, 10 Oct 1995 Chris_Ayres.JNB01@INTL.RX.XEROX.COM wrote: > A while back somebody posted Lisa's explanation for the Mirror Pool > (why, who etc.). On reading this she mentioned that her and Mr Perry had > released eight albums together. A quick glance through the releases means > that she counts "A passage in Time" as an album (which only had two new songs) Possibly she meant Garden of the Arcane Delights? It is also quite possible that she cannot count, or doesn't believe in our cold, rigid Western linear numerical system. :) einexile, pro-oj and in your face!
On Mon, 9 Oct 1995 TMParade@AOL.COM wrote: > ...but I heard 4AD was also a word play on "for a day" So that's how slowdive got singned then...released Just For A Day as a tribute to 4AD. I think I'm wasting lots of time these days. It's been like this ever since I was abducted. On another note (and this has probably been said on the list before) - what's the Warren <-> Tarnation connection? Jon Kvebaek"Listen to us. We are serving the The Garden of Delights Immortality Cosmic Conciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys?" - William S. Burroughs, 'Nova Express'
Einexile the meek remarks: >Possibly she meant Garden of the Arcane Delights? >It is also quite possible that she cannot count, or doesn't believe in >our cold, rigid Western linear numerical system. :) 1) DCD 2) Within the realm... 3) Spleen.. 4)Serpent's 5) Aeion 6)Toward the wit in 7) Into the labyrynth 8) A passage in time and 4/10 for 9)Garden of Arcane.. So if she counts Garden as an album, we can forgive her for not counting A Passa e.. But lashes for the Garden misclassification. If she realises that Garden is an E then she had to be calling a Passage an album. Hence lashes for that. Or like e says, she can't count - lashes to the Australian? education system. Lashings all round please (with bits of glass and iron on the tail) As Claus Larsen says "strap me down" Chris, shivering in painful anticipation
well, i actually liked her performance, though i must agree it did not differ much from her cd. there were some solo performances by the band members (ronan o snodaigh did a excellent job in his drum solo! he is fun to watch). i loved the poetry reading! how else could u open a show like that? there was no opening band that could prepare u better (well, maybe dcd could *smile*) for her show than some good ol' dark poetry. B-> hey, has anyone noticed that she does mention Brendan in the show program? "A very special thanks to Brendan Perry and Nanette Gerrard." for those who did not see a thank-you Brendan in the cd, there u go. :) Joherius "And from this springs the extraordinary question: Did the Egyptians know about electricity?" - Peter Kolosimo, Terra senza tempo, Milan, Sugar, 1964, p. 111 On Mon, 9 Oct 1995, section25 wrote: > Sean Klinewrote... > > > Sorry If I deflate any expectations of those awaiting Lisa Gerrard, > > but her show in Boston this past Thursday night was very underwhelming. > > The opening monologue by a band member was ridiculous and started the > > show off flat. Her new material from the Mirror Pool just doesn't > > impress live, as all the orchestral music to support it is sampled or > > generated on Keyboard. > > > I would be interested to hear from others who attended the show. > > I would have to agree that I wasn't "blown away" by her performance. I > thought it was good and all, but it seemed a little too close to the CD > to be particularly thrilling. I felt as if I was listening to her album > in a big room with lots of other people. > > Oh, and the person doing the poetry reading was Mark Ellis of Elijah's > Mantle, I believe. > > a m o p r o b o s, > s25. >
You wrote: (edited) > >For UK listers, >really expecting anything great really - just curious about TD >contribution and also to see how grunge CW have gone. >'H'y > >'H' Cambridge > >Stockholm Environment Institute at York >University of York, York, Uk. > > so, i'm listening to CW Ferment and Chrome. I really don't understand why people are saying CW has gone grunge...a semantic arguement i fear. Listen to those releases again, some pretty hard bass lines, agressive guitar, alternate passages between mellow and brain blowing. The only aspect ofshoegazing, are the vocals at times (IMNSHO). I hope the "grunge" label is only grabbing for words which are difficult at times to find when describing music--ask any reviewer. Grunge was coined to describe Nirvana and the Seattle scene, much to their dismay actually. It is yet another marketing term like alternative has become. So, enlighten me, I want the UK perspective on this because as usual, I am confused. sincere but befuddled, euthelene
>>Well, they didn't actually DO it, it was put together by 4AD and Relativity ...<< Who's responsible for remixing "Wax and Wane" then? And I insist that the version of "Aikea-Guinea" on The Pink Opaque is WAAAAAY better than the one on the original EP (which indicates that it, too, was remixed). Mike iceblink@delphi.com
Personally, I hate the '3'. I think I would have forgiven them had they chosen to use the dreaded "UK" suffix (the other "mojave" is American, right?) because that's easier to ignore. Or they could even have chosen "THE Mojave" (as in "THE Verve"), and I could have ignored the 'THE', just like I did with Verve. Not to mention that 'Mojave UK' and 'The Mojave' are, to me, more aesthetically pleasing to look at than 'Mojave 3'. At any rate, it doesn't matter. The album is absolutely amazing, and I can't stop listening to it. "Love Songs On The Radio", "Tomorrow's Taken", and "Where Is The Love", and "Pictures" are gorgeous... Mike iceblink@delphi.com
On Sun, 8 Oct 1995, eric wrote: > quite some time ago i sent money to a fanzine called sugarlift to get a copy > of an interview with ian masters. never heard from the zine though. is > anyone affiliated with that zine on this list, perhaps? i don't care so > much 'bout the two bucks, but i'd like to see the interview. hey eric i'm sorry you haven't gotten the zine yet...the editor is away at school right now, so perhaps that's why he hasn't got around to sending it out- he's usually extremely prompt, putting his zines out every three weeks or so... anyway here is his address and perhaps you can see if you sent it to the correct place or not... nicholas deVilliers 71 Pine Street Florence MA 01060 send me your address so next time i talk to nick deVilliers (also artist of the latest spoonfed hybrid 7" sleeve) i can tell him about you. also, anyone else who is waiting for a LIFT, please send me your names & addies too. merci... lorraine
"H'y" at Oct 10, 95 10:23 am > I listened to both these again yesterday and I still maintain they suck. > > I agree Mr. Norman about how bad The Amps are. If IWR is signing bands > like these surely he could sign my band. It seems if Ms. Deal picked her > three favourite chords, had a few beers with some friends, had a jam, > sent a tape to Ivo and got a record contract. There's just no content in > the songs. I bet it took V23 longer to do the artwork than it did to record. Sounds like it'll be a big hit on American radio :-( -shill -- [][] [][] Steve Hill, Network Communications Specialist, 708-925-6273 [] [] [] Harper College, 1200 W Algonquin Rd, Palatine IL 60067-7398 ----shill@harper.cc.il.us----http://www.harper.cc.il.us---- [] [] [] "Mostly harmless." [][] [][] personal:(http://www.idis.com/shill/index.htm)
What is this? >> 'hnia sings man on the silver mountain' is not really to die for, but it's a nice mix. all of the songs on it are available on 'livonia' and 'home is in your head,' but hey, i like to collect things, so that's why i bought my copy.<< Gracias, Ry
For anyone in the LA area, the Nuart on Santa Monica Blvd will start showing The Doom Generation week after next. I'll be going one day...if anyone wants to set up a group trip or sumthin, email me. Ivo
>>>Well, they didn't actually DO it, it was put together by 4AD and >Relativity ...<< > >Who's responsible for remixing "Wax and Wane" then? And I insist >that the version of "Aikea-Guinea" on The Pink Opaque is WAAAAAY >better than the one on the original EP (which indicates that it, >too, was remixed). I think you're missing the point. The point is that a *compilation*, even if it has a few remixed versions and even a few more songs will never be an album. If an author releases a book that is a compilation of the best stories and exerpts from previous novels does this new book count as another novel? No. Otherwise i could just say that the boxed set is my favorite album. Someone tried to use subtlety and humor to point this out, others have come right out and said it but why are you so reluctant to admit that this is NOT an album? It may be your favorite CT release but it is NOT what is commonly referred to as an "album". -cz
>>we've lost TWP, Frank Black, Cocteaus a few years back. Brendan Perry's solo stuff was rejected, tarnation have split already. Who's next, Belly? Lush?<< For the record, UVS, RHP, Shallow, etc., etc. are all gone. Surely Brendan Perry's solo stuff or the new RHP couldn't have been worse than that Amps single or even Lisa Gerrard's LP (uninspired). His acoustic tunes on "Toward the Within" alone are better than that album. Why did 4AD let the Spoonfeds get away (brilliance). And the story on Frank Black, TWP, and Brendan Perry? Anyone? Also, in reference to the Guernica thing. That label isn't a farm label, but a label releasing music in the U.K. only that is licensed elsewhere in the world (with the exception of Insides). Releases are usually one-offs (again, with the exception of Insides). 4AD still, to my knowledge, still operates within the no-contract framework with most of its "signings". They are all, with the exception of maybe Lush, DCD, Muses and Belly free to leave at anytime. Still, v23 is doing some of its most inspired work in years despite the music its representing. Still, I hope this storm will pass. I HATE (this) ILK! Phil
The recent issue of Hits Magazine has an interview with Tarnation's Paula Frazer. True, the other three members of the band have left, but they say she's already got another band put together...
an Ear" at Oct 10, 95 10:10:07 am Another Reason to Cut Off an Earwrote: > Personally, I hate the '3'. I think I would have forgiven them > had they chosen to use the dreaded "UK" suffix (the other > "mojave" is American, right?) because that's easier to ignore. I like the solution Luna used - a little "2" superscripted, so I was never quite sure whether they were Luna or "Luna squared". Eventually they bought the rights to the name from the other Luna. Mojave have problems with Germans, don't they? What about "Die Mojave Gruppe"? The "UK" suffix would look awfully odd to British people - all these groups who are forced to append "London" or "UK" to their names end up sounding like mod bands with dodgy racial politics. A 3 was good enough for the Spacemen. I would have thought the simplest solution was a complete name change, though - it's not as if they have a reputation, other than with the Slowdivomaniacs on the net, and their only release so far is one track on a couple of compilations. -- Andrew Norman, Leicester, England // nja@le.ac.uk // 10/10/95 On my walkman this morning : Can - Peel sessions Upon the straits; - on the French coast the light
On Tue, 10 Oct 1995, Another Reason to Cut Off an Ear wrote: > >>Well, they didn't actually DO it, it was put together by 4AD and > Relativity ...<< > > Who's responsible for remixing "Wax and Wane" then? Ummm...someone at 4AD or Relativity? Ivo, perchance?
Someone on the David Sylvian list is claiming that DCD's Into the Labyrinth went platinum according to Billboard, which I find frankly incredible. Can anyone confirm or deny this? Martin
an Ear" at Oct 10, 95 10:10 am > > Personally, I hate the '3'. I think I would have forgiven them had they > chosen to use the dreaded "UK" suffix (the other "mojave" is American, > right?) because that's easier to ignore. Or they could even have > chosen "THE Mojave" (as in "THE Verve"), and I could have ignored the > 'THE', just like I did with Verve. Not to mention that 'Mojave UK' and > 'The Mojave' are, to me, more aesthetically pleasing to look at than > 'Mojave 3'. Or been creative and come up with a better name. Wait, they're musicians, what was I thinking? duh kent kjv@mti.cdc.com
>Personally, I hate the '3'. I think I would have forgiven them had they >chosen to use the dreaded "UK" suffix (the other "mojave" is American, >right?) because that's easier to ignore. Or they could even have >chosen "THE Mojave" (as in "THE Verve"), and I could have ignored the >'THE', just like I did with Verve. Not to mention that 'Mojave UK' and >'The Mojave' are, to me, more aesthetically pleasing to look at than >'Mojave 3'. > Then again, it's entirely possible that they could mean mojave CUBED:) And wasn't Luna once known as Luna2 (as in the lunapark album)? We all still call them Luna, though. My favorite would be The British London Mojave 3 U.K. or Some of the Artists Formerly Known as Slowdive (insert weird symbol here). Peng is good, eric "I don't care how it works. I just want the concept." -House Majority Leader Dick Armey, when asked how his proposed flat tax would work. When asked how much he would pay under the proposed tax, he threw out numbers for 10 minutes hoping one of them would fly. None of them did.
Well, this is my opinion. I've worked in record stores for over three years now, and I, along with all the people I've worked with, have always called greatest hits and best of, and other compilations, "albums". We may call it a compilation album, but we still call it an album. An album is a reference to the physical object the music is on, whether it be vinyl or cd. Listen to MTV, even they will call it an album (like MTV is some great reference source, but my point is that everybody calls the things albums). What are we supposed to call them, "releases"? I'll stick to calling them albums, thank you. And Pink Opaque is still the best album CT ever did. ****************************************************************************** A.I.D.S. We are all infected because we are all affected......... ********* Will Coucheron-Aamot a.k.a. soon@unm.edu MBV, medicine, seefeel, flying saucer attack, slowdive, lovesliescrushing ******************************************************************************
I've belatedly become a fan of these two bands, having acquired Big Hat's second album, "Selena at My Window", and Tel Basta's second, entitled "Laid Up in Lavender". Both bands occupy a parallel universe where post-Siouxsie vocals, multiinstrumentalist/guitarists, amplified violin/viola, and non-trap drum percussionists, playing lush arabesques have become the "normal" lineup. Unfortunately, with the exception of these two releases, their other work appears to be out-of-print, unavailable locally, on the net, or by mail-order. If anyone out there can help me find copies of the following releases, I'd be most appreciative: Big Hat - Shimmer Inamorata Taqueria del Muerte Tel Basta - Tel Basta (debut) I can offer tape copies of an fairly extensive thislisty library or a little money to compensate you for your troubles...Thanks. -- Computers are useless / D.Stephen Roy \ Die in your thoughts every they can only give < dsroy@owlnet.rice.edu > morning and you will no you answers - Picasso \ Don't rock, wobble! / longer fear death - Hakakure
> Isn't this in the 4AD-L FAQ? Okay, before I look like an even bigger fool, let me defend myself. It isn't clear in the faq that the "forward" story comes straight from Ivo. Now I know that it did, but at the time I really didn't buy it. So yes, I did read the faq, and that's what gave me the idea. Now I have another faq related question. Has anyone figured out what C.V.O. stands for? This is a very pressin(g) question. Aaron
The Elysium / Aurora Borealis tour is in full swing. After three shows in Vegas, Mesa, and Tucson, band spirits are the highest they've ever been. We'll see if they're still having a good time after the 9 hour trip from El Paso to San Antonio :) [And for those in New Mexico, they did try to book a show, but nothing came through. They are however giving this state a full-band salute at this moment somewhere on I-10 between Tucson and El Paso. Next time, definitely!] The Mesa show was one of the best I have ever seen. After seeing The Aurora Borealis several times now, I've really warmed up to their songs: fast, romping, full of energy and extremely well written. Little bits of XTC and Felt are strewn about along with great guy vocals, fairly intense drumming, funky bass, and two guitars. They have a self-released CD they're selling on the tour. Elysium. Besides being great band (ether-bliss to noisy with a fine sense of subtlety) they're wonderful people. Say hi to them at one of their shows. You probably already know what they sound like from my ba-zillion posts about them, so check with me privately or on my Web Page for more details. They have lots of CDs cluttering up their tour vans that we'd all love to move... Alison's Halo (Mesa show only-- they're not touring at the moment) MY GOD! Every time I see them, they just completely blow me away as if I'm seeing them for the first time. I've said it before and I'll say it once again: Alison's Halo is the best dreampop band on the PLANET. They really know how to use quiet vs. all-out-noisy (aka. "float/slam" for you Dewdrops readers), and when they get into one of their noisy refrains as in "Calendar" or "Leech" it's nothing short of an ecstacy of dreamy, swirling excess. They played a bunch of new songs, showing a branching out of style and sound. When they release their debut album (whenever that is) it's going to be the landmark release in this genre for years to come. Here is the rest of the tour for Elysium and Aurora Borealis: Tue.Oct.10th - El Paso @ Saso's Lounge - 9565 Dyer Wed.Oct.11th - San Antonio @ Coffee Gallery - 203 E. Commerce Thur.Oct.12th - Austin @ TBA Fri.Oct.13th - Austin @ Ruta Maya - 218 West 4th Street Sat.Oct.14th - Tulsa @ the Xenophon - 20 E. Brady Sun.Oct.15th - off Mon.Oct.16th - Ft. Collins @ Tony's Tues.Oct.17th - Denver @ Cricket on the Hill - 1209 E. 13th Street Wed.Oct.18th - Provo @ The Holly Cow (to be confirmed) Thurs.Oct.19th - Salt Lake City - TBA Fri.Oct.20th - Off Sat.Oct.21st - San Francisco/Berkely @ TBA Mon.Nov.6th - The Whisky in Hollywood - FREE!!! Go support these bands! I believe you'll be pleasantly surprised. brant | Brant Nelson | 1817 Corinth Ave. #10 | open your eyes | Dewdrops Records | LA, CA 90025-5567 | to northern skies | Uncommon music that deserves to be heard | | http://www.astro.ucla.edu/students/nelson/dewdrops.html
someone on this list said the american souvlaki is not an album because of the three bonus tracks. but, if i dub tracks one through ten, do i not have a dub of an album (there being no difference between the british souvlaki and tracks one through ten on the american)? if i do not have a dub of the album, how am it to distinguish a tape with the british souvlaki from a tape of tracks one through ten of the american? the american souvlaki is an album. that's why the tracks on the end are called "bonus tracks," to distinguish them from the album proper. and i won't elaborate on the clan of xymox cd with the two extra remixes. and my two cents on the "holding our breath" ep, which i just got in the mail. it's no good compared to "slowdive" and "morningrise." sounds like outtakes from just for a day, which i didn't think was all that great. i am, however, a completist, so don't send me any offers for it. eric, perpetual antagonist
> >>Well, they didn't actually DO it, it was put together by 4AD and > Relativity ...<< > > Who's responsible for remixing "Wax and Wane" then? Ummm...someone at 4AD or Relativity? Ivo, perchance? -------------------------- If it was ANYONE, it would have been either the band or Ivo. Maybe back in 1982 or maybe early 1983 the band would have let someone else do it, but I doubt anyone but THEY would have remixed "Wax and Wane" in 1985. By that time, the band were pretty much in control of most of what they did in the studio. Ivo could have done it though, since he was co-producer when "Wax and Wane" was originally recorded. Does anyone else agree with me that the version of "Aikea-Guinea" on The Pink Opaque sounds fuller and more clear than the original? Mike iceblink@delphi.com
>>>I think you're missing the point. The point is that a *compilation*, even if it has a few remixed versions and even a few more songs will never be an album. If an author releases a book that is a compilation of the best stories and exerpts from previous novels does this new book count as another novel? No. Otherwise i could just say that the boxed set is my favorite album. Someone tried to use subtlety and humor to point this out, others have come right out and said it but why are you so reluctant to admit that this is NOT an album? It may be your favorite CT release but it is NOT what is commonly referred to as an "album". -cz Sorry...I wasn't arguing with the fact that The Pink Opaque is anything more than a compilation and NOT a new body of work and therefore does not qualify as an album, per se. I agree with that TOTALLY and always HAVE felt that way. All I was saying was that, in response to whomever said that there was no new input on The Pink Opaque, "Wax and Wane" and (I'm willing to BET) "Aikea-Guinea" were remixed for The Pink Opaque, which would indicate NEW WORK to a certain extent. That's ALL I was saying... And as for the Smiths/Morrissey thing...I think you're confusing me with someone else. I never said anything about those people. Mike iceblink@delphi.com
>> Who's responsible for remixing "Wax and Wane" then? >Ummm...someone at 4AD or Relativity? Ivo, perchance? I'd be very surprised if it was anyone else's but their own remix. I have an article somewhere (again it would be very hard to find) that says Robin was so disappointed with how "Peppermint Pig" turned out that he vowed never again to let anyone else produce or mix their songs. Maybe this remix existed before that, though. | Brant Nelson | 1817 Corinth Ave. #10 | open your eyes | Dewdrops Records | LA, CA 90025-5567 | to northern skies | Uncommon music that deserves to be heard | | http://www.astro.ucla.edu/students/nelson/dewdrops.html
>>Someone on the David Sylvian list is claiming that DCD's Into the Labyrinth went platinum according to Billboard, which I find frankly incredible. Can anyone confirm or deny this?<< Nope, but is the David Sylvian list any good? Ry
<199510091815.LAA16557@desiree.teleport.com> does anyone know the whereabouts of any of the music by "matt johnson and the gadgets"?(very rare)...?
>>why are you so reluctant to admit that this is NOT an album? It may be your favorite CT release but it is NOT what is commonly referred to as an "album".<< Another semantics issue again. We all really live in hate of each other don't we. All ready to pounce at the slightest thing. Why can't we all just move on and talk about things that really matter on this list (like how crap Scheer are and the like). The Pink Opaque is, indeed, a good CT release (just like "Louder Than Bombs" and "Singles 45 and Under" are good releases, though not proper albums). Just chuckle to yourself that little self-satisfied, enlightened chuckle, delete and move on. If the vein on your forehead is really throbbing that much, seek counseling and spare us all the wasted bandwidth. That will allow smug, pompous elitists like myself to spare YOU this wasted bandwidth.
Hi gang, Saw Lisa last night here in NYC and loved it. Also, I interviewed her today for my online mag, GaySource, the first online mag for the Gay, Lesbian, Bisexual, and Transgender community. We spoke for about 45 minutes about her solo work, her spirituality, Brendan and his solo work, the new Dead Can Dance stuff that is to be out in April, a DCD tour next summer, her brother's death a few weeks ago, her connection to and affection for the Gay community, and a lot more. She is so incredibly sweet, and very intense. It will be in our November issue at: Michael Franz Editor-in-Chief GaySource Magazine editor@gaysource.com
indiepop listThe official Independent Project Records web site can be accessed at: http//www.indirect.com/www/davidrog/ipr/ Though currently under construction, some interesting info and images on the label, Bruce Licher, Scenic, Alison's Halo, Half String, & Tone can be found there. In the future soundbites, a Bruce Licher gallery, and even more info, history,images, and mailorder information will be found there. ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ brandon capps p.o. box 1483 tempe, az 85280 u.s.a. bcapps@primenet.com ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
indiepop listThe "All Fish Go To Heaven..." two day festival is taking place this weekend in Mesa, Arizona. Featured are some of the best pop/noisepop/beautifulnoise acts from the western side of the United States. A web page has been set up for the event at . It features info on the festival and the bands playing. Here's the line up in order of appearance: friday october 13th, 1995 ------------------------------ a.m. radio all star the introspection trio jupiter sun super 31 for against half string saturday october 14th, 1995 --------------------------------- monte verdict stars aberdeen dart scenic the apples (in stereo) alison's halo the hollywood alley 2610 w. baseline mesa, arizona 602.820.7117 doors open at 7pm all ages welcome Tickets are in form of a two day pass and are still available, but in limited quantities. They can be reserved via e-mail by contacting Brandon Capps at or can be purchased from Stinkweeds Records in Mesa (602.897.7109) or Eastside Records in Tempe (602.968.2011). Don't miss this special engagement. ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ brandon capps p.o. box 1483 tempe, az 85280 u.s.a. bcapps@primenet.com ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
Oh, sorry, I'm interested in the Liquorice "Cheap Cuts" 5 song promo CD too. Thanks. Warren >i know that certain people have expressed a dislike for auctions, so I >will only post this once. (therefore only requiring one press of the "D" >key located towards the left of your keyboard). Anyway, I have the >following items for sale/bid. > >remember kids...only email me PRIVATELY, not to the list! > >dirt issue #69 with 'soil samples' split 7" > featuring Tarantion "don't fancy me" > and Liquorice "team player" both remixed > by our pal Warren DeFever. Yellow vinyl. > >Kendra Smith "Five Ways Of Disappearing" promo > advance cd complete with 3 hand letterpress > printed collector cards, still wrapped in > paper. very rare! > >Kendra Smith "Valley of The Morning Sun" 2 song > promo cd. > >Air Miami "I hate Milk" 1 song promo cd. > >Frank Black "Headache" EP (BAD 4007) 4 songs. > >Lisa Germano "Cry Wolf" EP. promo only. 4 songs > unreleased non-album tracks/remixes. > >Dead Can Dance "American Dreaming" 1 song promo CD > >Wolfgang Press "Standing Up Straight" CD > >Liquorice "Cheap Cuts" 5 song promo CD with ESP > remixes!!! > >The Moon And The Melodies "moon and the melodies" UK CD > > >it pains me to sell these, but i need to eat. > >if interested, please email me! >oh yeah, i will also pay for postage. > >section25@ids.net
Do you still have the dirt issue #69 with 'soil samples' split 7"? Warren >i know that certain people have expressed a dislike for auctions, so I >will only post this once. (therefore only requiring one press of the "D" >key located towards the left of your keyboard). Anyway, I have the >following items for sale/bid. > >remember kids...only email me PRIVATELY, not to the list! > >dirt issue #69 with 'soil samples' split 7" > featuring Tarantion "don't fancy me" > and Liquorice "team player" both remixed > by our pal Warren DeFever. Yellow vinyl. > >Kendra Smith "Five Ways Of Disappearing" promo > advance cd complete with 3 hand letterpress > printed collector cards, still wrapped in > paper. very rare! > >Kendra Smith "Valley of The Morning Sun" 2 song > promo cd. > >Air Miami "I hate Milk" 1 song promo cd. > >Frank Black "Headache" EP (BAD 4007) 4 songs. > >Lisa Germano "Cry Wolf" EP. promo only. 4 songs > unreleased non-album tracks/remixes. > >Dead Can Dance "American Dreaming" 1 song promo CD > >Wolfgang Press "Standing Up Straight" CD > >Liquorice "Cheap Cuts" 5 song promo CD with ESP > remixes!!! > >The Moon And The Melodies "moon and the melodies" UK CD > > >it pains me to sell these, but i need to eat. > >if interested, please email me! >oh yeah, i will also pay for postage. > >section25@ids.net
Your mail to the Microsoft Mail Server could not be fully delivered! No Valid Recipients! It has been deleted. Error List: Bad 'To:' Address: lawren wu@The Post Office
can someone please send me the la office's phone number??? thanks steve maddrose@niu.edu
No, but Matt Johnson himself does not tyhink much of it. If you go to the The The WWW page you can find out why. Cheers, H. ---------- > >does anyone know the whereabouts of any of the music by "matt johnson and the >gadgets"?(very rare)...? >
As you may have seen from Brandon, the pop event of the year is happening in Phoenix this weekend, starting Friday night. E-mail bcapps@primenet.com for more details. I will be driving there, leaving LA sometime Friday morning, and returning Sunday morning/aternoon. I'd be glad to take up to 3 other people with me on the trip, so contact me ASAP if you'd like to come. Let's make it a trip to remember! | Brant Nelson | 1817 Corinth Ave. #10 | open your eyes | Dewdrops Records | LA, CA 90025-5567 | to northern skies | Uncommon music that deserves to be heard | | http://www.astro.ucla.edu/students/nelson/dewdrops.html ps. as a bonus, the route along I-10 includes some of the places involved in the Scenic album 'Incident At Cima', plus you just can't beat the cactus-filled scenery.
I was at discorama at w4st and picked up a promo copy of air miami's me me me. I'm enjoying it, but if anyone was getting tired of their copy of 13yi (just kidding)... But for all you other full price paying fools, they also had the following... kendra smith 5 ways of dissappearing advance cd that dog totally crushed out advance cd avam comp I could (ouch) pick these up for people who REALLY wanted them, so let me know. Alex ******************************************************************************* * Columbia Institute for Tele-Information * 809 Uris Hall * New York NY 10027 * ******************************************************************************* * ph 212 854 4222 * fx 212 932 7816 * wb www.ctr.columbia.edu/citi/index.html * *******************************************************************************
SNIFF.....SNIFF....All i wanted to know was what people's favorite CT album was. Maybe, for some people it's pink opaque. That's their own perogative. I didn't expect to start a flame war. Everybody can like what they like. No prob. Boy, if CT heard about this...they would crack up!
erikas@evo.org, last updated by Eyesore Automation on 10-10-1995