great stuff some life has been injected into the list PAYOLA.....wherever there's money to be made and the little man/woman to be screwed, you're sure to find Big Brother and his lackeys around...a simple fact of life eh kids?? Kinda reminds me of a DK song (??), which they played live on tv. Got onto stage wearing very respectable looking black pants and white yuppie shirts..the only wierd thing was a large letter "S" spray painted on the front of each of the shirts. When the band hit the stage, they duly put on ties which then turned the S into $...and they went on singing about payola....ahhh, the good 'ole punk days. CRIMINAL JUSTICE ACT : Bastards!!!!! England is beggining to sound like a european South Africa, oppressive but not nearly as sunny!! goodnite children watts __________________________________________________ ! ! ! All those moments will be lost ! ! ...in time ! ! ...like tears ! ! ...in rain. ! ! Time...to die! ! ! ! ! ROY BATTY ! !________________________________________________!
got an advance copy of TWP's new album yesterday- definately different than the last- a little lighter- my first impression was this is St Etienne with TWP vocals- a few of the songs at least. I might be convinced to part with it for the right price (there is a sticker on the cover that say's Adavnce copy- release date January 24th- it is an import). thanks ted -- __________________________________________________________________________ "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." HPL __________________________________________________________________________ Ted Watkins [email protected] "You don't have to call it music, if the term disturbs you." JC
Dear List, A fine retort to my review of the new stina nordenstam album was written by vilexilein the last digest. I can't really find fault with just about anything he/she said so I'll leave it up to you to make your own opinion. I should clarify that in terms of the way the new album was recorded, I just meant that her vocals are harsher and more sibilent than on the first one. Were are talking cheap mics here or judiscious EQ boosting. That is what I meant by "smooth" It bugs me to hear poorly recorded vocals, especially harsh ones. Listen to Elizabeth Frasiers vocals on 4 calender and tell me those don't burn your ears off with digital glare. Robin got some ADAT's I guess. The first album is admittedly much slicker but I find it heightens the "interlude" and contrast effect that described (well put by the way). :) In any case, go get them because she is a GREAT singer/songwriter and her albums feel amazing to listen to. Brandon Milner [email protected]
Sounds good, but I wonder about your comparison to the volume series. Is it really a quality CD with solid bands and interesting tracks, or is another CMJ type deal. Alex ***************************************************************************** * CITI * 809 Uris Hall * NYC 10027 * phone 212 854 4222 * fax 212 932 7816 * On Tue, 8 Nov 1994, Deb wrote: > :huh magazine is a supplement to a service called rock video monthly. > > I called about subscribing and when I told them I was most interested > in the mag, they informed me that Huh was being spun off from RVM. It > will be a mag with a sampler CD, similar to the VOLUME series, I guess. > Total cost is about $6/month. Call 1-800-777-2900 to subscribe. > > Deb/ [email protected] / Yarn 0.73 >
Yes, Stina Nordenstam's CD's are available domestically (in the US). Please excuse my spelling/remembering errors because i'm at work (w/o reference to said CD's). I have two CD's released domestically: The first, **Memories of a Colour** was released by some big label (Warner?) and is absolutely wonderful. I would describe her sound as being sparse, quasi jazzy, with a delightfully quirky voice. If i must draw comparisons i'd have to say that she combines the beauty of Bjork-like singing with the better more mellow elements of Sade's music. The second album, **And She Closed Her Eyes**. Must have been out somewhere for quite some time because i've been eagerly looking for it for a while ever since someone on this list mentioned it. Just a week or two ago it came out in all the stores near me on some domestic label (might still be Warner). I haven't given it a fair shake yet (i was expecting so much), but i'm a little disappointed. This one is much more sparse, musically and vocally. Still some great songs though. One more thing you should know, *Memories of a Colour* was released under the name STINA (sans last name) so it is likely to be filed under 'S'. And yeah, i've seen it a lot in the cut-out bins. The more recent one was released under her full name and would probably be filed under 'N'. Good luck finding them, cz 4AD artists who have more than three releases (LP or EP). Especially with Dead Can Dance and Cocteau Twins, these questions seem to come up pretty often. We might want to have a vote amongst those who have a significant portion (if not all) of a band's discography. Say vote your fave three? If people are opposed to the clutter that that would cause on the list some nice person could volunteer to tally the votes at his/her personal mailbox. We could put the results in the FAQ. to the DCD & CT vote info.
I'm trying to unload a few discs- I realize that most of this stuff is not thislisty but thought I'd give it a try anyway- there is a Bettie Serveert single in there.. Bettie Serveert- TomBoy CD single $6ppd Lords of Acid - Rough Sex CD single $5ppd Church of Acid- Modulator CD single $5ppd Afghan Whigs- Congregation CD $9ppd Utah Saints- What Can You Do For Me CD single $5ppd Manufacture - Voice of World Control CD $7ppd Harajuku- Phantom of the Opera (Techno Mixes) CD single $7ppd -import The The- Dogs of Lust (double CD single with first single only -case has room for 2nd CD which is still available- ltd edition (numbered)- import $6ppd Sugar- Copper Blue CD $9ppd Smashing Orange- Glass Bead Game CD $9ppd Smashing Orange- Above Ming Gardens/Not Very Much to See (2ep's on one CD-import) $10ppd Mozart- 41st Symph w/ MArriage of Figaro $5ppd Beethoven- 3rd Symph $5ppd Beethoven- 5th and 6th Symph $5ppd contact [email protected] offers considered -- __________________________________________________________________________ "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." HPL __________________________________________________________________________ Ted Watkins [email protected] "You don't have to call it music, if the term disturbs you." JC
On Wed, 9 Nov 1994, CZ wrote: > > PS: Does anyone else think we ought to tally a vote for the best albums by > 4AD artists who have more than three releases (LP or EP). Especially with > Dead Can Dance and Cocteau Twins, these questions seem to come up pretty often > We might want to have a vote amongst those who have a significant portion (if > not all) of a band's discography. Say vote your fave three? If people are > opposed to the clutter that that would cause on the list some nice person coul > volunteer to tally the votes at his/her personal mailbox. We could put the > results in the FAQ. Ugh. I am *not* looking forward to finding forty one-liner or three-liner messages from this list every day. How about everyone mailing their stuff to cz himself? Not that i don't like y'all, but i've probably heard it 847 times before this year. partypooping kagin [email protected]
Hiya kids, I recently got Prams "Iron Lung" ep from Parasol, after I was told how lovely the band is by more than a few people. I also heard bits and pieces from "Helium" the other day in a music store in Cleveland (I asked them to play a little for me). I like "Iron Lung", but wasn't at all impressed with "Helium"... probably because all it sounded like was annoying keyboard sounds (I have to admit that I prefer the Guitar music over the Keyboard type). My question is this: IS the rest of their releases like what I heard from "Helium", or is it more like "Blue Singer" and "Cumulus" from "IRON LUNG"? For all those who actually know who Elastica is, I recently found the DGC release for their (i believe) first release in the States. It's not for "Connection" like i thought it would be, but for "stutter". It also has 3 Peel Sessions, "RockunRoll", "2:1", and "Annie". I thought they were a relatively new band, but the Peel Sessions date back to 1993, and we are well into 1994... almost 1995. Is there anything else out by them? Did anyone else see the video on MTV? I can't even remember the title, but I think it was "Stutter". -jOHN still trying to convince himself that he was at a Mazzy show and not at the MTV beach house w/ Daisy Fuentes this Saturday
Hello again, I got this letter from my best bud Arin Connell just today. I don't know the answer - thus I'm sending it to the list. Chances are it's an entirely different band. -jOHN wonders where the hell Kelli-Jeanne is!!! ------------------------------
wed, 9 Nov 1994 13:46:34 -0600 (CST)
Uh, sorry, I forgot that I had one more question to ask you. I got those Laika review things a couple of weeks ago, and I was just downtown looking through the record stores. They've got a new album down there called "Laika and the cosmonauts". Uh, well, that's the group's name, anyway--I don't remember what the album title was. Anyway, the title wasn't "silver apples of the moon," or whatever the hell it was that the review things said it was. So I'm just curious--it's not the same thing, is it? Have you gotten the new Laika? Arin "still chickless" Connell
I too, like the Legendary Pink Dots. I was waiting for someone to mention them! I think they have gotten better over time, moving away from the electronics and drum machines to more organic passages. For me, their best album so far is the Maria Dimension, but both Shadow Weaver and Malachai are very good. They recently rereleased an album called Four Days (limited to 1000 pressings) which sounds like it may have come just before Maria Dimension - many of the same synth sounds are employed. They also have a new album out, but damned if I can find it. As for them being thislisty, I don't see why not. I was rather surprised to find no discussions about them when I subscribed a month ago. Their sound varies from very cacophanous (sp?) bursts of affected guitar noise to the most breathlessly atmospheric stuff imaginable (the Orb and Aphex twin come to mind). They also tend to be very mysterious and secretive persons, personality characteristics not unfamiliar to many 4ad bands. Having not heard anything past 1992, other than some Teargarden stuff (a side project with one of the menbers of Skinny Puppy), I can't say for sure whether the Dots sound has improved, but I am definately a fan of the late eighties early nineties material, versus their earliest recordings, which again I find to be a little too "mechanik-y". However, the Golden Age is a superb album that no one should miss, despite some of the cheesey drum machine sounds. Also, while I'm on this subject, does anyone have a copy of Crushed Velvet Apocalypse, by the Legendary Pink Dots? I have been looking for that bloody album for almost three years with no success. I understand it is a cassette only release, but I would like a copy. I will send you a blank tape and return postage if you can't part with it, Otherwise, name your price and maybe I'll bite. My email address is [email protected] thanks! \ / gary
Since someone brought it up, I have some copies of the French (Semantic label) 'Heavenly Voices' promo CD as well as some accompanying posters (about 15 inches by 15 inches). If fact if there's any hardcore collectors out there I think I have some large (like 3 feet high) posters of Hyperium's Heavenly Voices. If anyone's interested email me: [email protected]
Oh, praised be Lord Frith! Write me separately from the 4AD-L list - I've been looking for someone else who passionately adores the genius that was Moonshake and is Laika and Medicine. Contact me as: [email protected] I only have "antenna", but "silver apples..." is in the mail, and between the EP and "sound...follow" I have been able to keep my ears busy. Always looking for good conversation with those who have excellent taste (you!) Fond Affections Bison Boy(Gil)
94 03:44:40 pm jOHN ASKED WHETHER lAIKA AND THE cOSMONAUTS IS THE SAME BAND AS lAIKA - THE ANSWER IS NO. I love vi - 80~ and the whole line has its case changed! L&tC are an American band, I think. -- Andrew Norman, Leicester, England | Jedermann sein eigner Fussball [email protected] |
On Thu, 10 Nov 1994 [email protected] wrote: > 1. The price is over $30. A legitimate release wouldn't be this > expensive. There's a Wherehouse in Santa Barbara that's been trying to sell a copy of Treasure for $33 for the last five years. I've always wanted to bitch about this. There, now I've got it off my chest.
94 03:09:05 am vilexilesaid: > > obthislistyselfrightousflamewar: bark psychosis are boring > How dare you! They dont suck, you suck and you're a hippocrit too, bark sycosis are way cool. (Writing style stolen from Smiths list). I think it was the oddly named person who asked about mail order earlier in the week (in the good old days when I still had four wisdom teeth). Here's a list taken from the back of the NME: Adrians, 36/38 High St, Wickford, Essex, SS12 9AZ Tel: 0268 733318/733319/733320 Fax: 0268 764507 I have ordered from here, fairly prompt, not too cheap (#13 is the standard price for CD albums). Large catalogue costs #3, but be wary of believing it - some of the rare stuff may have sold out. Action Records, Mail Order dept, 47 Church St, Preston, Lancs LR1 3DH Tel: 0772 884772 Fax: 0772 204402 (night-time, i.e. afternoon/early evening in the USA) Vinyl Experience, 18 Hathaway St, London W1P 9DD Tel: 071 636 1281 Fax: 071 636 0738 Sister Ray, 94 Berwick St, London W1V 3PP Tel: 071 287 8365 Fax: 071 287 1087 Someone else on the list recommended this place (Lars?), and they seem to be fairly cheap. This is also the address of their London shop, which is near Oxford St (there are several record shops in Berwick St, including Selectadisc). Standard prices are #4 (4 pounds UK) for CD or 12" singles, between #11 and #13 for CD albums, #7-#9 for vinyl albums. P&P varies, but #3-4 for the first CD (outside Europe) and #1-2 for each subsequent CD seems to be standard. -- Andrew Norman, Leicester, England | Jedermann sein eigner Fussball [email protected] |
I'm not sure if you got a reply... because I'm way behind.... but I have two of Stina's cds, both US releases... memories of a color (released only under the name Stina) and a new one (can't think of the title) under her full name. Julie
94 12:20 (noon) I've been listening to "Funky Little Demons" all week, and I want to put out an encouraging word. I was scared before I heard it after reading the initial reviews here, especially those from big TWP fans, but I think the album is pretty good. Okay, the first track is practically a remake of "Heaven's Gate" but it's still killer, especially with that steel guitar! -- [][] [][] Steve Hill Email:[email protected] [] [] [] Network Technician Voice:708-925-6273 William Rainey Harper College Fax:708-925-6030 [] [] [] 1200 West Algonquin Road Page:708-962-0430 [][] [][] Palatine IL 60067-7398 "Mostly harmless."
In message Thu, 10 Nov 1994 10:31:33 GMT, Andrew Thornwrites: > advertisers) will favour a certain government setup? > > The Music : > Ok... Maybe I'm just a little bit nuts, but am I the only one who was cut short of this post? Or is this all there is? I ask this because I was really getting into it, and then it just CUT right off... And now I'm left confused about the few posts about this CRIMINAL JUSTICE BILL. Could someone please fill me in? Maybe on private mail? -jOHN @ ------ [email protected]
Does anyone know the telephone number for Moe's in Seattle and when Pale Saints are playing next week? I'm pretty sure it's Thursday night but heard a rumor it was Friday. If you know the ticket price that would be helpful also, as well as the location of this joint. Please email to me directly. Thanks! matthew
I got the Vaughan Oliver book and the AVAM cd today (and the Throwing Muses ltd. ed. "Firepile"). Happy happy! I must say that "This Rimy River" is impressive. Heavy paper, big, handsome, beautiful... much, much better than "Exhibition/Exposition". It's kinda messy as well, with all the proofs being printed whichever way. Makes it very interesting. The AVAM cd is kinda good, isn't it? -- Mrs. Lillian Marzo pretended to be asleep while her husband Eduardo gently caressed her hair, though over the years she had secretly come to loathe his touch.
Are there any Seattle-area people that are planning to see the show in Vancouver? I've got two problems - (1) I'm not 21, so I can't go to Moe's (2) I'd need a ride to get to the Vancouver show the next day. So hey, if you're gonna go-a-road-tripping and you want an xtra passenger, lemme know... Pleeez... <:-) --if you can get a Rocket, I'm sure you'd find the # for Moe's. If nobody knows the #, lemme know and I can acquire a Rocket & check. [email protected] "He who clearly apprehends the scheme of existence does not rejoice over life, nor repine at death; for he knows that external limits are not final."
Here's a review by Howard Goodman of a recent Cindytalk performance, from the Cindytalk mailing list "Touched".(To subscribe, write to [email protected].) --Jens ........................................................................ Cindytalk 121 Railton Road, Brixton, London SE24, England Friday, 21 October 1994 The venue, which doesn't have a name other than `121', appears to be basically someone's house which has been modified and turned into a kind of anarcho drop-in centre. The atmosphere was relaxed and friendly. The first floor of the `121' is a tiny vegan cafe with some benches and tables. The ground floor is a well-lit, wide open space with a few comfortable seats but mostly just floor space, and posters on the walls advertising squats, protests and the like. It was in the basement, which is essentially just a dungeon with some sound equipment, that the gig took place. The gig was billed as `CINDYTALK meets dj TERROREYES for a night of ambi-dustrial noise exploration with maybee just a squirt of ACIDTECHNO', and, sure enough, techno music was being played in the basement for most of the evening. Some people were dancing, including Elizabeth Fraser, who was evidently _extremely_ drunk and drugged. She was generally making a fool of herself, and her attempt to balance a beer can on her head during Cindytalk's performance was surely one of the low-lights of the evening. The audience seemed to consist mostly of regulars, i.e. people who could loosely be termed `crusties', who hadn't come specifically for Cindytalk. It should be borne in mind that the gig was effectively a `secret' one, as, as far as I know, it hadn't been advertised in the music press; I only knew about it because Gordon had sent me a flyer. There were, however, a handful of people who looked like they had come especially -- an Einstuerzende Neubauten t-shirt is, I think, a good indication of this. While we were sitting about in the ground floor area, the `comfy chairs' space seemed to be occupied mostly by Cindytalk members. (I recognised the bass player, a rather strapping woman with long black hair, from the London gig of 16 March, and it later turned out that she recognised me, too, by my _In This World_ t-shirt which I had had printed at a colour copying bureau.) At one point Gordon appeared -- I recognised him by the fact that he was wearing a skirt and clutching a black hardback exercise book with a red binding -- this is the `Cindytalk texts 1993/94' book to which he sometimes refers when performing -- and I decided that it was about time I went and introduced myself. After all, I had first been in contact with him in 1989, when we had spoken extensively a couple of times on the telephone, and had re-established contact this summer when I sent off for the `Prince of lies' single. So I went and said hallo and told him who I was, and, though he had seemingly taken a dislike to me in 1989 (I was an eighteen-year-old goth, after all), he seemed pleased to make my acquaintance. After saying hallo and how-do-you-do, I was accosted on my way back by the bass player, who, as I say, sort of recognised me. I spoke to her briefly, and she said her name is Andi (sp?). I was telling her how _In This World_ had `changed my life', blah blah blah, to which she replied that it had had a similar effect on her, which is why she's now in the band. Cindytalk appeared `on stage' (there was actually no physical stage as such) at about 23.30, first of all just filling time and dancing to the techno music that was being played by TerrorEyes. Then the concert proper started, and, unfortunately, I don't have much to say about it. What I remember of the line-up was that there were six people, including the person manipulating tapes and/or a mixer, who I assume to have been TerrorEyes. Cindytalk live consist of Gordon singing, Andi(?) playing bass guitar, somebody playing electric guitar, somebody playing a Casio keyboard which I think was a sampler, and somebody on drums. In the best tradition of avant-garde music (Neubauten, George Crumb, etc.), the instruments are often used in unorthodox ways, such as bowing the guitars. Eight or nine songs were played. I wasn't able to steal a copy of the play-list this time, but I had a look at a copy on the `stage' and recognised some of the titles (`Cum poets', `Nothing is true') from the first Cindygig, which took place in March 1994. (I can post the play-list from that one, if you like.) Also, `Muster' and `Prince of lies' were played, and, at one point, `The beginning of wisdom' started up, but then turned into something else. This seems to be a general feature of Cindytalk, and is one of the wonderful things about them -- that themes, fragments of words and music, reoccur in different locations at different times. Also emanating from tapes were some fragments of prose recited by (I assume) Kathy Acker, in the same style as the spoken parts of `Janey's love'. I cannot really give a subjective opinion of the concert itself, as, just like at the previous Cindygig that I attended, the sound quality was too appalling for the music to be reasonably distinguishable. All that I can say is that the performance was entirely _convincing_. There was a lot of very dense noise, Gordon sang beautifully (although it was often difficult to hear), and, I imagine that if the sound quality had been even half decent, the experience would have been very intense. This is why I am so looking forward to hearing _Wappenshaw_ on CD: while Cindytalk are so obscure that they are forced to play in anarcho drop-in centres and the back rooms of pubs, they are never going to sound at all good live, which is a pity. At the end of the set, which lasted for about forty-five minutes, Gordon handed over to TerrorEyes, and the techno started up again. This point was rather amusing, as the audience was collectively rather bemused, not knowing quite what to do. The band were still present, albeit standing around and dancing to the techno, and there had been no space for applause. Finally, as you might expect, Cindytalk do _not_ play encores. ... howard. +---------------------------------------+------------------------------+ | howard s goodman (research student) | beauty will be convulsive | | email: [email protected] | or will not be at all | | comp. sci., birmingham univ., england | ---Andre Breton, Nadja, 1928 | +---------------------------------------+------------------------------+
Andrew Thorn, everyone favorite freshman, rants: >Ever wondered why certain bands (usually on large wealthy labels) seem to >mysteriously appear out of nowhere, to suddenly be spread accross >numerous publications / medias ? and that some of them are so crap that my >cat wouldn't even bother to vomit on their records ? but they still get mass >coverage despite the fact that even the journalists in the most part dislike >them...also noticed the large adverts that accompany them? Gosh, this wouldn't have anything to do with the fact that these bands sell zillions of records, would it? Or that they haven't yet, but breathless A&R people at major labels are convinced that they will because they sound just like other bands that sell zillions of records? No, it must be a foul consipiracy. I'll bet they're using mind control on the consumers to induce them to buy those records. That's it. >couple that with the fact that our idependent BBC is being undermined and >eroded away (eventually, it seems to be replaced by a smaller number of >hugely powerfull, ever expanding 'media empires') Isn't this the same 'independent BBC' that regularly refuses to air singles (like, let's say, the Sex Pistols' "God Save the Queen") that the government finds offensive? Come on, 'government owned' does not equal 'independent'. Far from it. > it makes the future prospects of "freedom of speach" in any significant form >for the ordinary citizen (who does not happen to agree with politics / >philosophies of the wealthy 'power' Elite, or who does not have the money to >'buy' media) pretty bleak. Tell you what, why don't you Brits first work on getting a few minor details like a Bill Of Rights set up over there, and then later on -- when you actually have a defined freedom of speech to defend -- you can worry about the media conspiracy. Get the priorities straight. Glad to see the loony left is still alive and well in England. Cheerio. [Sorry for the lack of thislisty content. I figure the Cindytalk report I just posted makes up for it...] Jens Alfke ........ OpenDoc Geometer ........ [email protected] ...And they passed the night in a crockery jar, and each of them said "How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our sieve we spin." --Edward Lear
I've always wondered about Simon Raymonde's pre-CT band, Drowning Craze. Anybody have anything by them or know more info than merely the name? Lance
Speaking of lost CDs, does anyone have the '85 Bak2Bak( sp.?) Interview Picture Disc?
Well, I fit everything into the Subject line. Anyway, does someone know a good place for ordering Japanese imports in the U.S.? Please don't say cdeurope.com. They don't have what I'm looking for. -- Confound those who have said our remarks before us. --Aelius Donatus
Somewhere I seem to have lost track of what release was numbered 4012. So if someone could post it or sended to me. thanks tm
I've got one. Mike
From: MR NORMAN N LEVENSTEIN
Subject: geek the sale
-- [ From: Norman Levenstein * EMC.Ver #2.01P ] --
i've got a copy of lisa germano's geek the girl cd for sale.
any interested parties please contact me.
From: MR NORMAN N LEVENSTEIN
Subject: sporadic recordings AVAILABLE!
-- [ From: Norman Levenstein * EMC.Ver #2.01P ] --
there is a copy of vini reilly's "sporadic recordings" avaiable at:
heartbeat records
kent, ohio
usa
1.216.678.6371
good luck
-bruce
From: MR NORMAN N LEVENSTEIN
Subject: butterfly child
-- [ From: Norman Levenstein * EMC.Ver #2.01P ] --
i've recently been listening to the butterfly child track from volume
magazine and enjoying it quite a bit. could someone post a
discography/review of the stuff they have done?
-bruce
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